mediated relationships

One of the points that interest us is the mediated reality. Immediacy and distanciation interweaves in curious ways, especially when included in processes of self-differentiation.

Technical deficiencies can indeed be polemic...

Going back to incorporating some rhizomatic networking within and beyond the moving body, and looking at images like this makes one relate to it more as a composition of whirling, dynamic dimensions and directions in motion than an organized set of units.

The space of plurality and partiality raises the enigma of shareability and jointness, trauma and joy, phantasy and reality, with possibility of co-response.

Movement becomes an event without witnesses, unifying the external and internal, it is a glimpse of the 'forever future in the now'.

Body responsive versus Body potent

What is it about a Japanese warrior's potential for an energy-charged thrust which he is able to execute out of the seemingly undersized physicality? The energizing potential does not come down to the physical; it is just momentarily performed through it. The physical is an active channel that strives for harmony.
We are working with familiar choreographic patterns and physically research on the cycles of energy exchanges; observing charging interactions. We are looking at interval-based movement patterns, binding the physical trigger to its response and back to the trigger again; we are fascinated by discovering what emerges there… in between the response and a following up trigger, as a hanging in the air yet vigorous combination.

Cross-contextualizations

Through free-associations… theoretical devising…, let’s exchange ideas for broadening the visual experience of dance. E.g. a theatrical element of connecting the vocal/spoken with physical performance…
As we think about it - being on both, performative and viewing side, crossing the frames of time and space allows acting less as a detached provider, and more as a mediator and a stimulant of a shared (with an audience) experience.
The use of technological mediation poses unique epistemological questions. We are looking at using a video stream as a way to extend capacities and effect changes in the natural and the social receptivity on both sides.

impetus wanted

Aside from being served with a great portion of nausea, a good round of spinning exercise makes us talk about the vertigo effect, a form of a naturally collective experience with physical forces.
We are curious if the circling interval creates a better entry and a quicker shift in the register as grounded in a more direct connectivity within the network.

It evokes some tenacity, slime-ness sensations. It has a sort of elastic effect, extending the interacting body parts. It leaves the feel for perfect echo mediation ambiguous, right between the obscure and the transparent.

brainstorming

"As the thought transduces into a becoming-event, it actively merges with the thing's potential

in this singular configuration", it creates the 'not-me' as a plural-singular entity.

now:

What emerges if we try to neutralize the space-time of the experience?
How flexible is the hierarchy?
How able are we to dive and submerge our consciousness in the experience itself without seeing it as if from the contextual outside as a human - object interaction? (seeing: a silly guy dancing with a chair, for example)
How do we perform on the level of thought? Without stepping into the ritual?

Infiltrating Presence (Realisms and virtualisms of meaningful events)


Dialogue between Dragon and Phoenix. If I were Dragon, it would be stimulating to be challenged and playing around with Phoenix. In this research " Infiltrating Presence ", I invite Nuska Peszke as my counter force who reflectively interact with me from both theoretical and practical point of view.
Actively contemplating on what level will it be capable, for a performer, of communicating what he/she supposes/intends that particular experience to be communicated to the witnessing bodies, and at the same time observing, wanting to know intently " What is actually being communicated ", and reaching into those gaps where the creativity of " that particular experience " is waiting there yet untouched.

What does the presence?

[Dragon] To me? To you? Or To all of us being present here in this particular space where this particular experience is taking place?

[Phoenix] Well, what particular experience are we talking about? Are we experiencing the same experience at all? How do you know that the two people sleeping together dream the same dream?

[Dragon] Which two people are you taliking about?

[Phoenix] Well, I don't know what I am talking about. Oh, I know, maybe one person is the performer and the other is the audience..!

[Dragon] Or, one could be your body and the other could be your intention..?!

[Phoenix] Or, or, one could be that what you do, and the other would be that what you think you are doing..??!


Nuska:
The starting point to our research is an interest in studying creative relations within a tenanted space.
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Even a seemingly empty space is not static. It can speak, with or without our ability to listen. It is not stuck with how we encompass it with vision. Instead, it is constantly turning out to be what we make of it, in every second of the encounter.
Presence can be a simple feature with its on and off function, or an online or offline status. It is either there, or it isn't.
Yet, it can also be elusive if we extend our frame of focus, and begin to mind the in-between stages, and so created dynamics. If we extend the focus wide enough, there is no frame to what is present. What will be there instead will simply come too late to called 'the past', and too early to be called 'the future'. The state of becoming.

How do we understand the moment?
Where is it happening?
How to practice its metaphysics with the body?

If we concentrate on presence not in relation to the sensually confronted objects, but in relation to what processes are in the moment of happening, we will notice the subjectlessness of space. Through this state of discarded subjectivities we will also acquire new abilities to communicate with it and through it. It will become obvious that events and processes are constructed of forces, not agents. It is then not the combination of substances which appear true to our senses that construct the 'being and communicating with the space' but volatile (ever-changing) fluxes of energies. It is the fluctuating activities that constitute the moment, the space, and us - as phenomena, rather than substances.

Are we then able to strip down the space of its physical boundaries through interaction?

Understanding is the basic factor for creating (rich, positive and effective) relations, communication and interaction.
Meaningful communication presupposes meaningful Interaction.
Consequently, for the understanding with the space to happen we have to tune our bodies to it and allow contingency, change and novelty-emergence guide the process of communication. The present body is not there to respond (to the past) but also to pre-produce action (predicting/feeling for the future), something as if the body's dispositions were the matters of both: 'if-then' and 'so-if' situations.
In so doing, our bodies cannot be understood as stable entities, but as continuous manifestation of our engaged in the moment dispositions.

We cannot deny the substantiality of the body, but it is important to remember that it is dispositional properties that are epistemologically fundamental to our understanding of it, and these are to be revealed through manifestations. Without them nothing is detectable, connected or knowable. For without processes there is no access to dispositions, and without dispositions substances lie outside our cognitive reach. Things are what they do:) and we get to know and understand them only through their active and meaningful manifestations of themselves to ourselves.

Now, how are these processes dependent on kinds of location within a space?
And how would they continue to change how they communicate with one another if we allow for virtual presence?
What is the modus operandi of the real and present and what is that of the virtual and non-present? Is there a distinction at all? And how far can we localize our meaningful presence on a scale of virtuality continuum?